I recently visited One Colorado Artist Studio in Pasadena featuring Artist in Residence Gregory Michael Hernandez and his exhibition titled “A Bridge Between Landscapes.” Amidst the impressive and convincing hybrid forms, interactive environment, and beautiful images generating metaphorical flights of fancy sits a ping pong table. Why is this object so arresting and compelling? Is it installation sculpture so ordinary that it triggers queries of a profound nature? Is it simply a playful work station? Is it a respite of recreational distraction from the intensity of the surrounding images requiring viewers to pay critical attention? I wonder if it actually is an alter that summons us to a place of hospitality and generosity? Hernandez’s creations are not devotional or doctrinal in any formal ecclesiastical way. His work is theological in its sublime gesturing toward questions of ultimacy and offering visual gifts to the art lover with a sustained gaze. The ping pong table is a dynamic piece that calls and convenes in its centered placement. It simultaneously encourages return trips to the curated walls that encase it. Sacred Space in a vernacular place!